Paranoid amp settings — Roland Cube 40GX
The Black sabbath guitar tone for “Paranoid”, dialed in for a Roland Cube 40GX with a Pyle Pyle. Studio version, Paranoid album (1970), recorded at Regent Sound London in a single day
Gibson SG Standard (bridge pickup) → Dallas Rangemaster treble booster (modified) → Laney LA100BL head with Presence/Mid/Treble on 10, Bass on 0
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 2 |
| Mid | 10 |
| Treble | 8 |
| Presence | 0 |
| Reverb | 0 |
| Master | 7 |
01Treble Booster / Clean Boost (e.g. TC Electronic Spark Mini, EHX LPB-1, or Joyo Roll Boost)
RECOMMENDED — not currently owned. This is critical to Iommi's tone. The Rangemaster boosted upper mids and slammed the amp's front end. Without it, crank the Cube's gain to 8 and mids to 10, but you'll lose that sizzling edge.
Iommi ran bass at 0 and mids/treble/presence at 10 on the Laney — that's extreme. The Cube 40GX's LEAD model is voiced darker and more compressed than a cranked Laney, so I've set mids at max 10 to compensate, dropped bass to 2 (the Cube has more low-end than a Laney), and raised treble to 8 for bite. Presence stays at 0 because the Cube's presence adds fizz, not the harmonic complexity of a tube power section. The Pyle likely has lower-output pickups than an SG's humbuckers, so gain at 7 compensates.
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