Tone library / Black Sabbath / N.I.B.

N.I.B. amp settings — Marshall MG50FX

The Black Sabbath guitar tone for “N.I.B.”, dialed in for a Marshall MG50FX with a Gibson SG Standard 61. Studio version, Black Sabbath (1970) — adapting Geezer Butler's iconic 'Bassically' intro and main bassline riff

Original rig

Fender Precision Bass (split single-coil, dead roundwound/flatwound strings) → wah pedal → Laney LA100BL tube stack cranked into power-amp breakup

Thick, overdriven bass grind with vocal wah sweeps, warm wooly low-end, and punchy mid bark
Amp settings — Marshall MG50FX
CHANNELCleanBOOSToff
GAIN 2 BASS 7 MID 7 TREBLE 4 REVERB 0 MASTER 4
KnobSetting (0–10)
Gain2
Bass7
Mid7
Treble4
Reverb0
Master4
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Guitar
PICKUPneck TONE4 VOLUME10
Signal chain

01Cry Baby Kirk Hammett Wah

Engaged for the 'Bassically' intro; sweep slowly from heel to toe for the vocal filter effect, then bypass for the main riff

02Boss BD-2 Blues Driver

GAIN SOURCE: mimics the cranked Laney LA100BL power tube saturation without cutting low frequencies

Level 6 · Tone 3 · Gain 6
Why these settings

Because you are translating a vintage cranked tube bass rig to an electric guitar through a solid-state Marshall MG50FX, the Boss BD-2 serves as the primary drive stage running into the Clean channel to retain low-end body without harsh solid-state clipping. The MG50FX EQ pushes bass and mids to 7 while backing treble down to 4 to recreate the dead-string warmth of a P-Bass through a 4x12 cabinet. The neck pickup with the tone rolled down to 4 cuts pick bite and emulates the thumpy fundamental of Geezer's fingerstyle attack. Main riff: click the wah off, leave the BD-2 on.

PRO TIPPluck directly over the neck joint using the flesh of your fingers rather than a pick, digging in hard on the E and A strings to generate the percussive fret-clack essential to Geezer's tone.

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These settings are for a Marshall MG50FX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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