Tone library / Black Sabbath / Iron Man

Iron Man amp settings — Squier Frontman 10g

The Black Sabbath guitar tone for “Iron Man”, dialed in for a Squier Frontman 10g with a Squier Classic Vibe 60s Stratocaster. Studio version, Paranoid album (1970)

Original rig

1965 Gibson SG Special with P90 pickups, Dallas-Arbiter Rangemaster treble booster, Laney Supergroup MK 1 100-watt head with Laney 4x12 cabinet (Celestion speakers), tuned to standard E

Chunky, saturated, fat fuzz-like distortion with midrange punch, thick and aggressive, slightly nasal upper mids, dry studio tone with tight palm-muted chugs
Amp settings — Squier Frontman 10g
GAIN 8 BASS 6 TREBLE 5 MASTER 7
KnobSetting (0–10)
Gain8
Bass6
Treble5
Master7
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Guitar
PICKUPbridge TONE6 VOLUME10
Why these settings

The Frontman 10G is a small solid-state practice amp with only gain, bass, treble, and volume controls — no mid, presence, or reverb knobs exist on this amp. The original tone came from a cranked Laney with a Rangemaster treble booster pushing P90 humbuckers. Your Strat's single coils are brighter and lower output, so I rolled treble back to 5 to avoid ice-pick highs and pushed bass to 6 to compensate for the thinner single-coil low end. Tone knob at 6 darkens the bridge pickup to approximate the fatter P90 midrange honk. The amp's small speaker and limited gain stage cannot produce the thick saturation of the original — this is the closest honest match without a distortion pedal.

PRO TIPRECOMMENDED: A Boss DS-1 or ProCo RAT clone ($30-50 used) would get you 80% of the way to Iommi's thick saturation — set the amp nearly clean (gain 2-3) and let the pedal provide the dirt. Without one, dig in hard with your pick near the bridge and use downstrokes on the riff for maximum chunk.

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These settings are for a Squier Frontman 10g. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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