Tone library / Avenged Sevenfold / I Won't See You Tonight, Pt. 1

I Won't See You Tonight, Pt. 1 amp settings — Crate GTD65

The Avenged Sevenfold guitar tone for “I Won't See You Tonight, Pt. 1”, dialed in for a Crate GTD65 with a Ibanez Gio GRX70QA. Studio version, Waking the Fallen (2003) — main melodic leads and heavy rhythm sections

Original rig

Bogner Uberschall and Mesa Boogie Triple Rectifier, Schecter C-1 Custom / Gibson Les Paul Custom with Seymour Duncan Invader (SH-8) / JB pickups, Boss DD-3 Delay, Boss RV-5 Reverb

Thick, high-gain modern metal rhythm with singing, saturated upper-mid lead sustain and ambient delay
Amp settings — Crate GTD65
CHANNELHigh Gain (Solo/Lead)BOOSToff
GAIN 7 BASS 7 MID 6 TREBLE 6 REVERB 4 MASTER 4
KnobSetting (0–10)
Gain7
Bass7
Mid6
Treble6
Reverb4
Master4
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Digital Delay (Boss DD-3 style)

RECOMMENDED — not currently owned (run in FX loop or direct to replicate Synyster's soaring lead space)

E.Level 5 · F.Back 4 · D.Time 6 · Mode 7

02Tube Screamer (TS9 / Overdrive)

RECOMMENDED — not currently owned (tightens front-end bass flub on solid-state gain)

Drive 0 · Tone 6 · Level 8
Why these settings

The Crate GTD65 solid-state high-gain channel provides ample saturation, but it can turn harsh if highs are pushed too high. Keep the mids around 6 to match the thick Bogner/Mesa push without scooping, and set bass to 7 for low-end chunk while keeping gain capped at 7 to prevent fizzy fuzziness on the Infinity R pickups. Clean piano-intro arpeggios: switch to the Clean channel with neck pickup and onboard reverb at 5.

PRO TIPSynyster Gates uses heavy pick attack with a rigid pick (1.5mm–2.0mm) angled slightly against the strings to produce immediate harmonic overtones and articulate sweep arpeggios on high-gain settings.

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These settings are for a Crate GTD65. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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