Tone library / Avenged Sevenfold / Almost Easy

Almost Easy amp settings — Orange Crush 12

The Avenged Sevenfold guitar tone for “Almost Easy”, dialed in for a Orange Crush 12 with a Ibanez GRX70QA. Studio version, Avenged Sevenfold (2007 self-titled album)

Original rig

Bogner Uberschall + Mesa Triple Rectifier dual amp setup, Mesa 4x12 cabs, Schecter guitars with Seymour Duncan Invader/JB pickups, LA-2A compression, noise gate

Tight, compressed high-gain with British mid-forward punch and modern chunk
Amp settings — Orange Crush 12
CHANNELDirty (single channel amp, use gain for drive)
GAIN 8 BASS 5 TREBLE 6 MASTER 5
KnobSetting (0–10)
Gain8
Bass5
Treble6
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss CS-3 Compression Sustainer

Mimics the heavy LA-2A studio compression on the original; fast attack tightens palm mutes

Level 7 · Tone 5 · Attack 3 · Sustain 6

02Tubescreamer-style overdrive (TS9, TS Mini, or clone)

RECOMMENDED — not currently owned. Run gain at 0, level high to tighten the Crush 12's low end and add mid-focus that the amp lacks

Drive 0 · Tone 6 · Level 8
Why these settings

The Orange Crush 12 is warm and mid-present like the British-voiced originals but lacks the saturation depth of a Bogner/Rectifier stack — gain 8 is near its usable ceiling before fizz. The amp has no mid or presence knobs (bass/treble only), so bass is pulled to 5 to prevent mud on the small speaker. A TS-style pedal in front would add the tight low-end focus and mid push that defined the studio tone.

PRO TIPThe GRX70QA's Infinity R pickups are lower output than the Invaders on the original — dig in hard with your pick attack right at the bridge for that percussive chunk on the palm-muted sections, and tune to Drop D (D-A-D-G-B-E) as the song requires.

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