Almost Easy amp settings — Orange Crush 12
The Avenged Sevenfold guitar tone for “Almost Easy”, dialed in for a Orange Crush 12 with a Ibanez GRX70QA. Studio version, Avenged Sevenfold (2007 self-titled album)
Bogner Uberschall + Mesa Triple Rectifier dual amp setup, Mesa 4x12 cabs, Schecter guitars with Seymour Duncan Invader/JB pickups, LA-2A compression, noise gate
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Treble | 6 |
| Master | 5 |
01Boss CS-3 Compression Sustainer
Mimics the heavy LA-2A studio compression on the original; fast attack tightens palm mutes
02Tubescreamer-style overdrive (TS9, TS Mini, or clone)
RECOMMENDED — not currently owned. Run gain at 0, level high to tighten the Crush 12's low end and add mid-focus that the amp lacks
The Orange Crush 12 is warm and mid-present like the British-voiced originals but lacks the saturation depth of a Bogner/Rectifier stack — gain 8 is near its usable ceiling before fizz. The amp has no mid or presence knobs (bass/treble only), so bass is pulled to 5 to prevent mud on the small speaker. A TS-style pedal in front would add the tight low-end focus and mid push that defined the studio tone.
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These settings are for a Orange Crush 12. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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