Hail to the king amp settings — Marshall Code 50
The Avenge sevenfold guitar tone for “Hail to the king”, dialed in for a Marshall Code 50 with a Schecter Omen 6. Studio version, Hail to the King (2013)
Schecter Synyster Custom (Seymour Duncan Invader humbuckers) into Schecter Hellwin USA 100 Head (Lead Channel, designed by James Brown) and 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 6 |
| Treble | 7 |
| Reverb | 2 |
| Master | 5 |
01Onboard Marshall CODE Noise Gate
Essential for cutting string rumble during the staccato rhythm riffs
02Onboard Marshall CODE Distortion/OD Block (Guv'nor mode)
Clean boost mode to tighten low-end and add upper-mid saturation into the JCM800 model
The Marshall Code 50 is a digital modeling amp without a physical presence knob on its faceplate, so presence is null. The JCM800 preamp block paired with a 100W classic power section delivers the aggressive modern crunch of Synyster's Hellwin head, boosted with the onboard Guv'nor block for extra compression. The Schecter Omen 6 passive bridge pickup matches the high-output Schecter tone profile well; keeping bass around 5 prevents muddiness in drop/standard heavy riffs.
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These settings are for a Marshall Code 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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