Tone library / Anna tsuchiya / Kuroi Namida

Kuroi Namida amp settings — Fender Frontman 10G

The Anna tsuchiya guitar tone for “Kuroi Namida”, dialed in for a Fender Frontman 10G with a Squier Classic Vibe 60s Stratocaster. Studio recording, ANNA TSUCHIYA inspi' NANA (BLACK STONES) (2007)

Original rig

Les Paul Custom / PRS Custom 24 with bridge humbucker into high-gain Marshall JCM800 / Bogner Ecstasy rig with Boss OD/Distortion boost

Punchy Japanese modern rock/punk-pop rhythm tone with tight low-mids and sharp upper-mid drive
Amp settings — Fender Frontman 10G
CHANNELOD / Drive Select switch ONBOOSTon
GAIN 6 BASS 6 TREBLE 4 MASTER 4
KnobSetting (0–10)
Gain6
Bass6
Treble4
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss DS-1 Distortion or Ibanez TS9

RECOMMENDED — not currently owned; with this pedal, switch Frontman to Clean channel, gain 2

Tone 5 · Level 7 · Dist / Drive 6
Why these settings

The Frontman 10G faceplate features only Gain, Overdrive Switch, Volume, Treble, and Bass with no dedicated mid or presence controls. To compensate for single-coil Strat pickups against the record's thick humbucker tracking, treble is pulled back to 4 and guitar tone to 8 to tame harsh bite while bass is set to 6 for body. The built-in OD channel at gain 6 provides the necessary punk-rock saturation without turning overly fizzy on the 6-inch speaker.

PRO TIPRoll your Strat bridge tone knob back to around 8 to round off high-frequency ice-pick spikiness and deliver a thicker, humbucker-style crunch on power chords.

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