Tone library / Alice in chains / Bleed the freak

Bleed the freak amp settings — Boss Katana 100 MkII

The Alice in chains guitar tone for “Bleed the freak”, dialed in for a Boss Katana 100 MkII with a Fender American Ultra Stratocaster. Main riff and chorus, Facelift (1990) studio version

Original rig

1985 G&L Rampage (Seymour Duncan JB) -> Bogner-modded Marshall JCM800 4010 ('The Snorkler') -> Marshall 4x12 Greenback cab

Raw, mid-heavy crunch with harmonic saturation; aggressive but not excessively gainy; thick low-mids with controlled high-end bite
Amp settings — Boss Katana 100 MkII
CHANNELBrown amp typeBOOSToff
GAIN 7 BASS 6 MID 8 TREBLE 6 PRESENCE 5 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain7
Bass6
Mid8
Treble6
Presence5
Reverb2
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss GE-7 Equalizer

In front of amp to push low-mids and fatten the Strat bridge pickup to mimic a Duncan JB humbucker

100Hz 6 · 200Hz 7 · 400Hz 7 · 800Hz 8 · 1.6kHz 7 · 3.2kHz 5 · 6.4kHz 4 · Level 6

02Boss NS-2 Noise Suppressor

Mutes idle high-gain hiss

Threshold 5 · Decay 3
Why these settings

The Katana 100 MkII's Brown amp type recreates the modded Marshall JCM800 preamp saturation. To compensate for the Strat's thinner single-coil bridge pickup compared to Cantrell's high-output Duncan JB, the GE-7 pushes the 400Hz–1.6kHz midrange and level before hitting the preamp. The MT-2 is bypassed because the Brown voice provides authentic tube-style crunch without the harsh diode clipping of external distortion. Clean intro/verse: roll guitar volume down to 6 and switch to the neck+middle pickup.

PRO TIPDig in hard with a heavy pick near the bridge saddles to coax the signature Cantrell harmonic squawks and percussive pick attack on the low E-string palm mutes.

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