God Machine amp settings — Marshall VS56R
The Acid Bath guitar tone for “God Machine”, dialed in for a Marshall VS56R with a ESP LTD EC-256. Studio version, When the Kite String Pops (1994)
Epiphone Sheraton II / Gibson Les Paul → Marshall half-stack (likely JCM800 or similar). Tuned to C# standard. Possible Boss HM-2 or similar heavy distortion influence based on the era's NOLA sludge sound.
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 5 |
| Treble | 5 |
| Reverb | 0 |
| Master | 6 |
01Boss MT-2 Metal Zone
Primary gain source. The MT-2's scooped character needs mid compensation — keep Mid at 6 and Mid Freq around 400Hz (4) to retain the grinding midrange that defines sludge.
02Boss GE-7 Equalizer
After the MT-2 to thicken the low-mids (200-400Hz) and tame the fizzy highs. This restores the warm, swampy character the MT-2 tends to lose.
03Stone Deaf PDF-2
Optional — use as a tone-shaping clean boost after the GE-7 to add body and roll off harsh treble. Keep Gain at 0 to avoid stacking dirt.
The VS56R is a solid-state Valvestate hybrid with limited gain compared to a cranked JCM800. The MT-2 becomes the gain source while the amp stays clean to prevent muddy stacking. Your EC-256's humbuckers are hotter than a semi-hollow Sheraton, so the MT-2's Dist at 8 (not 10) prevents over-saturation. The GE-7 compensates for the MT-2's natural mid-scoop, which would kill the sludge tone's grinding character.
Get this tone on your amp
These settings are for a Marshall VS56R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.