Highway to Hell amp settings — Marshall Code 50
The AC/DC guitar tone for “Highway to Hell”, dialed in for a Marshall Code 50 with a Squier Stratocaster. Studio version, Highway to Hell (1979)
1970s Marshall 1959 100W Super Lead (Plexi), jumpered High Treble + Normal inputs, cranked for power amp saturation. Early 1970s Gibson SG Standard with stock T-Top humbuckers (bridge pickup). Schaffer-Vega Diversity System wireless (adds subtle compression/boost). Tuned to Eb standard.
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
Your Squier Strat single coils are brighter and lower output than Angus's SG humbuckers. Dropped treble from 6-7 to 5 to cut the extra high-end ice-pick. Raised mid +1 to compensate for the Strat's natural mid-scoop vs the SG's thick midrange. Volume knob at 7 mimics Angus's rhythm technique of rolling back for chord work — push to 10 for leads. Gain stays modest at 6; AC/DC's tone is NOT high-gain, it's power-amp saturation.
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These settings are for a Marshall Code 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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