Tone library / AC/DC / Highway to Hell

Highway to Hell amp settings — Marshall Code 50

The AC/DC guitar tone for “Highway to Hell”, dialed in for a Marshall Code 50 with a Squier Stratocaster. Studio version, Highway to Hell (1979)

Original rig

1970s Marshall 1959 100W Super Lead (Plexi), jumpered High Treble + Normal inputs, cranked for power amp saturation. Early 1970s Gibson SG Standard with stock T-Top humbuckers (bridge pickup). Schaffer-Vega Diversity System wireless (adds subtle compression/boost). Tuned to Eb standard.

Cranked Marshall power-amp crunch, mid-forward growl, dynamic and responsive, NOT heavily distorted — clarity on open chords with pick attack bite
Amp settings — Marshall Code 50
CHANNELPlexi amp model with Classic Marshall 100W power ampBRIGHToffBOOSToff
GAIN 6 BASS 5 MID 7 TREBLE 5 PRESENCE 5 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble5
Presence5
Reverb0
Master7
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Guitar
PICKUPbridge TONE8 VOLUME7
Why these settings

Your Squier Strat single coils are brighter and lower output than Angus's SG humbuckers. Dropped treble from 6-7 to 5 to cut the extra high-end ice-pick. Raised mid +1 to compensate for the Strat's natural mid-scoop vs the SG's thick midrange. Volume knob at 7 mimics Angus's rhythm technique of rolling back for chord work — push to 10 for leads. Gain stays modest at 6; AC/DC's tone is NOT high-gain, it's power-amp saturation.

PRO TIPRoll your Strat's tone knob to 8 to tame single-coil brightness and get closer to humbucker warmth — for solos, push both volume and tone to 10 and dig in harder with your pick for that Angus attack.

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These settings are for a Marshall Code 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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