Little Lilly amp settings — Fender Mustang LT25
The Widespread Panic guitar tone for “Little Lilly”, dialed in for a Fender Mustang LT25 with a Epiphone Les Paul Traditional Pro IV. Studio version, Don't Tell the Band (2001) — Jimmy Herring on lead, Michael Houser rhythm
Mesa Boogie Mark IV / Matchless DC-30, PRS Custom 24 (Herring) / Gibson SG (Houser), light overdrive (Fulltone OCD-style), chorus, analog delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 3 |
| Master | 6 |
01BOSS ME-90 — OD-1 (Overdrive block)
Set to OD-1 or Blues Driver type — use for lead lines, bypass for clean rhythm
02BOSS ME-90 — Chorus (CE-1 type)
Subtle chorus on verses and clean arpeggios — disengage for lead breaks
03BOSS ME-90 — Delay (Analog type)
~350ms slapback feel for leads, keep feedback low for clarity
The Mustang LT25's '60s British model approximates the Matchless/Vox chime that defines WSP's clean foundation. Your Les Paul's humbuckers are hotter than Herring's PRS, so I pulled amp gain to 4 (original rig ran near unity clean) and rolled tone knob to 7 to tame high-end harshness. Push the ME-90 OD block for lead sections rather than cranking amp gain — this preserves the transparent, dynamic breakup WSP tones require.
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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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