Till Death Do Us Part amp settings — Fender Blues Junior IV
The White Lion guitar tone for “Till Death Do Us Part”, dialed in for a Fender Blues Junior IV with a Gibson Les Paul Standard 50s. Studio version, Mane Attraction (1991) - Main solo and lead fills
Vito Bratta custom Strat (EMG 85 bridge pickup) -> ADA MP-1 preamp / Marshall JCM800 -> Lexicon PCM70 / chorus / delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 4 |
| Master | 4 |
01Overdrive (Ibanez TS9 / Boss SD-1)
RECOMMENDED — not currently owned
02Digital Delay (Boss DD-7 / DD-3)
RECOMMENDED — not currently owned
The Fender Blues Junior has a naturally scooped American EQ and cannot reach Vito's cascading ADA/Marshall gain on its own, so the FAT boost switch is engaged and the mid control is pushed to 8 to mimic British midrange bark. Treble is rolled back to 5 to tame the Blues Junior's 6kHz high-end shelf and prevent harshness. For the authentic arena-sized Vito lead tone, an external overdrive and digital delay are strongly recommended as future upgrades.
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These settings are for a Fender Blues Junior IV. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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