Black No. 1 amp settings — Harley Venton Harley Benton HB-20R
The Type O Negative guitar tone for “Black No. 1”, dialed in for a Harley Venton Harley Benton HB-20R with a Harley Benton Harley Benton HWY-25BKS Progressive Series. Studio album cut, Bloody Kisses (1993) — main heavy rhythm riff
Gibson Les Paul / Fernandes guitars tuned to B Standard into Ampeg VH-140C solid-state head / Ampeg V-4, with Boss CH-1 Super Chorus and high-gain solid-state clipping
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 4 |
| Treble | 6 |
| Reverb | 2 |
| Master | 4 |
01Electro-Harmonix Small Clone / Boss CH-1 Super Chorus
RECOMMENDED — not currently owned; essential for the signature slow, watery Type O Negative chorus swirl
The HB-20R has a small 8-inch speaker and an analog solid-state clipping circuit that mimics high-gain solid-state amps like the original Ampeg VH-140C quite naturally, but it lacks low-end body. Pushing bass past 6 on this combo creates muddy farting rather than tight thump, so keep bass at 6 and scoop mids slightly to 4 to evoke Kenny Hickey's industrial gothic crunch without getting lost in the fizz. The built-in spring reverb adds subtle decay to soften the dry edge while you play without pedals. Clean verse/intro: disengage the Drive switch to play clean with spring reverb.
Get this tone on your amp
These settings are for a Harley Venton Harley Benton HB-20R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.