Tone library / Tool / Sober

Sober amp settings — Vox Vt40+

The Tool guitar tone for “Sober”, dialed in for a Vox Vt40+ with a Dean Ml select fluence. Studio version, Undertow (1993)

Original rig

1979 Gibson Les Paul Custom Silverburst (Seymour Duncan JB) into blended 1976 Marshall Super Bass and Mesa/Boogie Dual Rectifier (pre-Diezel era)

Aggressive, grinding high-gain with punchy low-mids and sharp pick attack in Drop D
Amp settings — Vox Vt40+
CHANNELCLEAN (Green LED)BOOSToff
GAIN 2 BASS 6 MID 5 TREBLE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain2
Bass6
Mid5
Treble5
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Ksr Ceres one

Lead/Rhythm high-gain preamp mode; acts as the primary gain engine

Gain 7 · Bass 7 · Middle 6 · Treble 6 · Level 6

02Suapouen Vintage overdrive

Tight boost in front of the Ceres to clamp low-end flub

Drive 0 · Tone 6 · Level 8

03Jim Dunlop Cry Baby GCB95

Bypassed for main riffs; engage for vocal sweeps and solo textures

Why these settings

The KSR Ceres preamp pedal serves as your primary distortion engine to recreate Adam Jones's blended Marshall/Mesa Undertow crunch, so the VT40+ is set to its cleanest transparent channel with amp gain kept low to prevent muddy double-gain staging. The Vintage Overdrive runs as a clean boost (Drive 0, Level 8) into the Ceres to tighten low-end tracking for fast Drop D palm muting. Because active Fishman Fluence pickups have higher output and sharper treble than Adam's passive JB, guitar tone is pulled slightly back to 8 to avoid harshness.

PRO TIPDrop tune to Drop D (D-A-D-G-B-E) and dig in heavily with a thick, stiff pick right next to the bridge saddles to capture Adam Jones's percussive, metallic pick attack.

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These settings are for a Vox Vt40+. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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