You really got me amp settings — Marshall DSL1HR
The The kinks guitar tone for “You really got me”, dialed in for a Marshall DSL1HR with a Epiphone SG Standard. Studio version, Kinks (1964)
Harmony Meteor guitar → Elpico AC55 amp with SLASHED speaker cone (razor-sliced for proto-fuzz distortion) → slaved into Vox AC30. No pedals — the distortion came entirely from the damaged speaker cone vibrating.
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 3 |
The original tone came from a physically damaged speaker cone — you cannot replicate true torn-speaker fuzz from any normal amp. The DSL1HR's Ultra Gain channel on Crunch mode delivers aggressive, raw distortion that captures the snarling midrange character. Your SG's humbuckers are hotter than Davies' single-coil Harmony Meteor, so gain is pulled back to 6 (vs original ~7) to avoid mud, and bass dropped to 4 to keep the attack tight and buzzy rather than thick. Mid pushed to 7 because that angry midrange bark IS the tone. Reverb dead — the original was bone dry.
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These settings are for a Marshall DSL1HR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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