Zombie amp settings — Stagg 40 ga r
The The Cranberries guitar tone for “Zombie”, dialed in for a Stagg 40 ga r with a Fender American Professional II Stratocaster. Studio version, No Need to Argue (1994)
Fender Telecaster → EHX Big Muff Pi → DOD FX68 Super Stereo Chorus → Marshall 30th Anniversary 6101 Combo
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 2 |
| Master | 5 |
01Electro-Harmonix Big Muff Pi (or clone)
RECOMMENDED — not currently owned. This pedal is essential for the iconic fuzzy sustain. A Behringer SF300 or EHX Big Muff Nano are budget alternatives. Without it, crank amp gain to 8 and accept a thinner, less saturated tone.
02Chorus (any basic analog-voiced chorus)
RECOMMENDED — not currently owned. The chorus shimmer is always on for this tone. A Boss CH-1, TC Electronic Corona, or Donner Tutti Love gets you there. Place after fuzz, before amp.
The Stagg 40 GA R is a basic solid-state practice amp with limited headroom and a scooped, thinner voicing compared to the original Marshall tube combo. I pushed mids to 7 (original was ~6.5) to compensate for the Stagg's mid-scoop and rolled treble down to 5 because solid-state amps get harsh faster than tubes. Without a Big Muff, the amp's gain alone will sound thin and fizzy—this tone truly requires a fuzz pedal to be authentic.
Get this tone on your amp
These settings are for a Stagg 40 ga r. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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