Something amp settings — Line 6 Helix Floor

The The Beatles guitar tone for “Something”, dialed in for a Line 6 Helix Floor with a Fender American Professional II Stratocaster. Studio version, Abbey Road (1969) - Lead Solo

Original rig

1957 Gibson Les Paul ('Lucy') into Fender Twin Reverb/Bassman through a Leslie 122 cabinet

Warm, singing vintage edge-of-breakup lead with lush rotary Leslie modulation and rounded treble

Amp settings — Line 6 Helix Floor

CHANNELUS Double Nrm (Fender Twin Reverb Normal channel) + 1x12 Rotary cabBRIGHToff

Knob	Setting (0–10)
Gain	6
Bass	5
Mid	6
Treble	5
Presence	3
Reverb	3
Master	8

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Guitar

PICKUPneck TONE7 VOLUME9

Signal chain

01Minotaur (Klon Centaur model)

Used as a warm boost to push the amp into George's singing sustain

Gain 3 · Tone 4 · Level 7

02145 Rotary (Leslie model)

Slow chorus rotor setting to replicate Abbey Road's Leslie 122 cabinet

Speed 3 · Mix 5 · Level 6

Why these settings

George tracked the iconic solo using humbuckers on 'Lucy' through a Leslie 122, so on your Stratocaster, switch to the neck pickup and pull the guitar tone knob down to 7 to shave off modern single-coil glassiness. The Helix Minotaur block provides the mid-push and sustain that single coils lack compared to a vintage Les Paul, while the 145 Rotary block delivers the essential swirling Abbey Road modulation. The Twin model's bright switch must remain off to keep the high-end smooth and vocal rather than sharp.

PRO TIPGeorge played with exquisite touch—pick softly with the flesh of your thumb and fingers on the bends rather than an aggressive plectrum attack to let the Leslie rotor's Doppler swirl bloom behind the note.

Get this tone on your amp

These settings are for a Line 6 Helix Floor. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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