Love is like oxygen amp settings — Behringer GMX 212 V-TONE
The Sweet guitar tone for “Love is like oxygen”, dialed in for a Behringer GMX 212 V-TONE with a Schecter Hellraiser C-7. Studio version, Level Headed album (1978)
Gibson Les Paul through Marshall JMP 50-watt head, light overdrive, mixed with ARP Odyssey synthesizer layers
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 2 |
| Master | 6 |
01Behringer OD100 Overdrive/Distortion
Provides the Marshall-style breakup the amp's clean channel lacks
GMX 212's Vintage channel approximates Marshall voicing but stays cleaner than a cranked JMP, so the OD100 in overdrive mode supplies the warm breakup. Your active EMG 707s run hotter than Scott's passive humbuckers — gain dropped 2 points from a passive-equipped Marshall equivalent, treble pulled back 1 to tame the active pickup brightness. Mid pushed to 7 to retain Les Paul-style warmth against the Schecter's tighter low-end.
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These settings are for a Behringer GMX 212 V-TONE. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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