Tone library / Static-X / The Only

The Only amp settings — Marshall MG30CFX

The Static-X guitar tone for “The Only”, dialed in for a Marshall MG30CFX with a Jackson JS22 Dinky. Studio version, Shadow Zone (2003)

Original rig

Gibson Flying V / Explorer (Seymour Duncan SH-6 Distortion bridge humbucker) into Marshall MG100HDFX solid-state head and Marshall 1960A 4x12 cab

Aggressive, razor-sharp solid-state industrial crunch with scooped mids and tight low-end gating
Amp settings — Marshall MG30CFX
CHANNELClean
GAIN 2 BASS 5 MID 4 TREBLE 6 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain2
Bass5
Mid4
Treble6
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Zoom G2X Four (ZNR - Noise Reduction)

Essential brick-wall gate to get Wayne's staccato machine-gun riff stops

Threshold 8 · Decay 2

02Zoom G2X Four (TS Drive)

Tightening boost cut before the distortion block

Gain 1 · Tone 7 · Level 9

03Zoom G2X Four (DZ DRIVE / Marshall solid-state style high gain)

Primary gain source; feed straight into the clean channel of your Marshall MG30CFX

Gain 8 · Tone 7 · Level 7
Why these settings

Wayne Static famously recorded and toured his signature industrial tone using solid-state Marshall MG-series heads. Because you are running the Zoom G2X Four as your preamp and noise gate into the front input of the Marshall MG30CFX, keep the amp on the Clean channel with low gain (2) to avoid muddy double-gain stacking. The MG30CFX faceplate does not have a presence knob, so shape all top-end sizzle using the amp's Treble control and the Zoom's EQ blocks.

PRO TIPWayne's signature rhythm precision comes from aggressive, ultra-tight palm-muting right against the bridge saddles combined with Drop C tuning (C-G-C-F-A-D); clamp down the ZNR noise gate hard so the chugs cut off with zero trailing noise.

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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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