Tone library / Splipknot / The devil in I

The devil in I amp settings — Boss Katana 50 MkII

The Splipknot guitar tone for “The devil in I”, dialed in for a Boss Katana 50 MkII with a Kramer Striker HSS. Studio version, .5: The Gray Chapter (2014)

Original rig

Jim Root: Fender Jim Root Telecaster (EMG 81 bridge) → Maxon OD820 → Orange Rockerverb 100 MKII. Mick Thomson: Ibanez MTM1 (Seymour Duncan Blackouts) → Maxon OD820 → Rivera KR7 blended with Marshall JCM800

Tight and percussive, scooped mids, aggressive palm muting, high-gain saturation, articulate low end, modern metal clarity, crushing rhythm attack
Amp settings — Boss Katana 50 MkII
CHANNELBrownBRIGHToffBOOSToff
GAIN 8 BASS 5 MID 4 TREBLE 6 PRESENCE 6 REVERB 0
KnobSetting (0–10)
Gain8
Bass5
Mid4
Treble6
Presence6
Reverb0
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss SD-1 Super Overdrive

Running into clean amp section to tighten low end and add midrange push before the Brown channel's gain stage — this mimics the Maxon OD820 boost role on the original

Level 7 · Tone 5 · Drive 3
Why these settings

The Katana's Brown channel approximates the EL34 Marshall grind blended on the original. Your Kramer's ceramic HSS humbucker is hotter and brighter than Root's EMG 81, so I dropped treble -1 and presence -0.5 vs the Orange baseline. The SD-1 acts as a boost/tightener like the Maxon OD820 — low drive, moderate level — pushing the front of the Brown channel for that percussive pick attack and controlled low end.

PRO TIPPalm mute directly over the bridge saddles, not further up the strings — Slipknot's rhythm tone relies on extremely tight, clicky mutes with minimal string ring. Dig in hard with downstrokes on the chugs; the SD-1's compression will keep it from flubbing out.

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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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