Tone library / Soda stereo / Nada personal

Nada personal amp settings — Headrush MX5

The Soda stereo guitar tone for “Nada personal”, dialed in for a Headrush MX5 with a Epiphone ES-335. Studio version, Nada Personal (1985)

Original rig

Fender-style clean amp with stereo effects routing, chorus, delay. Cerati used a system splitting guitar signal into four paths with compressors and mixer before amplification. Roland Juno and DX7 synths on track. Guitar likely a Fender Stratocaster or similar single-coil instrument.

Clean, shimmery 80s new wave with prominent chorus modulation, atmospheric delays, and crisp articulate picking. Bright but not harsh, with subtle compression and spatial depth.
Amp settings — Headrush MX5
CHANNELFender Twin Reverb or Deluxe Reverb model (clean platform)BRIGHTonBOOSToff
GAIN 3 BASS 5 MID 6 TREBLE 7 PRESENCE 6 REVERB 3 MASTER 7
KnobSetting (0–10)
Gain3
Bass5
Mid6
Treble7
Presence6
Reverb3
Master7
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Guitar
PICKUPmiddle TONE8 VOLUME10
Signal chain

01Compressor (built-in block)

Light studio compression for sustain and evenness

Threshold 5 · Ratio 4 · Attack 3 · Level 6

02Chorus (built-in block - CE-1 or Dimension style)

Classic 80s chorus shimmer - essential to this tone

Rate 4 · Depth 6 · Mix 5 · Tone 6

03Digital Delay (built-in block)

Set delay time around 350-400ms, dotted eighth feel. Place in signal chain after modulation

Time 5 · Feedback 4 · Mix 4 · Hi Cut 6
Why these settings

Your ES-335 humbuckers are warmer and fatter than Cerati's likely single-coil setup. Compensate by raising treble +1 and using the middle pickup position to thin the sound. The MX5's Fender clean models replicate the headroom and sparkle of the original recording. Keep gain low - this tone is clean platform with effects doing the work, not amp breakup.

PRO TIPUse your picking hand positioned closer to the bridge for that crisp 80s articulation. Cerati's signal was split into four paths with compression before the amp - simulate this by stacking a light compressor before the chorus. Roll your guitar's tone knob to 8 to tame the ES-335's darker top end while keeping clarity.

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