Tone library / Soda Stereo / Ameba

Ameba amp settings — Zoom G6

The Soda Stereo guitar tone for “Ameba”, dialed in for a Zoom G6 with a Yamaha Pacifica 112V. Studio version, Dynamo (1992)

Original rig

Fender Stratocaster / Pensa-Suhr into Roland JC-120 and Marshall JCM900 with ProCo Rat / Boss DS-1 distortion and Eventide H3000 pitch modulation

Gritty shoegaze/industrial crunch with wide stereo modulation and lo-fi processed edge
Amp settings — Zoom G6
CHANNELMS 800 (Marshall JCM800/900 model) + 4x12 Cab IRBRIGHToffBOOSToff
GAIN 6 BASS 5 MID 7 TREBLE 6 PRESENCE 6 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble6
Presence6
Reverb2
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Squeak (ProCo Rat model)

Primary dirt block in front of the amp model for the abrasive mid crunch

Gain 6 · Tone 4 · Level 7

02PitchSHFT (Pitch Shift / Detune block)

Emulates the Eventide H3000 micro-pitch widening

Shift 5 · Tone 5 · Bal 4

03AnalogDly (Analog Delay block)

Short ambient slap for shoegaze space

Time 3 · F.B 3 · Mix 3
Why these settings

The Zoom G6 uses the MS 800 block as a platform pushed hard by the internal Squeak (Rat) drive block to capture Cerati's gritty, texture-heavy Dynamo tone. Keep the Pacifica's bridge humbucker active with Tone on 10 to cut through the heavy pitch-detune modulation. The detune block sits after dirt to re-create the studio Eventide H3000 stereo spread without turning the gain to mush.

PRO TIPHit the strings hard right next to the bridge using a heavy pick; Cerati's rhythm attack on Dynamo relies on sharp, metallic string scrape combined with dense pitch-widening.

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