Pride and joy amp settings — Zoom G6
The Stevie Ray Vaughan guitar tone for “Pride and joy”, dialed in for a Zoom G6 with a Yamaha Pacifica 112V. Studio version, Texas Flood (1983), recorded November 24, 1982 at Jackson Browne's Down Town Studio
1962/63 Fender Stratocaster 'Number One' with 1959 pickups, heavy .013 gauge strings tuned to Eb → Fender Vibroverb (1964 blackface, 1x15 JBL D130F) and Dumble Dumbleland Special → Ibanez TS9 Tube Screamer (Drive 2-3, Tone 4, Level 9-10)
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
01Tube Screamer block (TS808 or TS9 model in Zoom G6)
CRITICAL: TS always on, even for 'clean' parts — this is the secret to SRV's woody mid push and compressed sustain. Use Zoom G6's built-in Tube Screamer model.
Your Pacifica's Alnico V pickups are brighter and lower-output than SRV's hot vintage single coils with .013s — compensate by pushing mid +1 (to 7) vs a true Vibroverb baseline and rolling tone knob to 8 to tame ice-pick highs. The Zoom G6's Fender blackface model lacks the 1x15 JBL's speaker thump, so bass stays moderate at 5 rather than higher. Reverb is 0 — the studio recording was bone dry despite the amp's spring reverb.
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These settings are for a Zoom G6. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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