Tone library / Snot / Stoopid

Stoopid amp settings — Mark Bass CMB 150 Black Line

The Snot guitar tone for “Stoopid”, dialed in for a Mark Bass CMB 150 Black Line with a Epiphone Thunderbird. Studio version, Get Some (1997)

Original rig

Ibanez TR Expressionist bass (single-coil pickups, C tuning) → Marshall Jackhammer distortion → Ampeg SVT head + 8x10 cab

Aggressive distorted grind with tight low-end punch and upper-mid snarl
Amp settings — Mark Bass CMB 150 Black Line
GAIN 2 BASS 7 MID 8 TREBLE 6 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain2
Bass7
Mid8
Treble6
Reverb0
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01RAT-style distortion (e.g. Pro Co RAT2, Mosky Black RAT clone)

RECOMMENDED — not owned. Run direct into amp input. Essential for the aggressive distorted grind; amp alone cannot produce this tone.

Distortion 7 · Filter 4 · Volume 7
Why these settings

The Markbass Black Line is a clean, transparent, hi-fi voiced amp — the opposite of an overdriven Ampeg SVT. Gain is kept low (2) to preserve clean low-end fullness while the RECOMMENDED RAT distortion pedal provides all the grind and upper-mid aggression. Mid is pushed to 8 (vs Ampeg's natural 5-6 center) to compensate for Markbass's scooped voicing and recover the barking 600-800Hz presence that defines Fahnestock's tone. Your Thunderbird's bridge humbucker is hotter and darker than the original's single-coils; tone knob is rolled to 8 to reduce excess treble harshness from the distortion pedal.

PRO TIPTune down to C standard (C-F-Bb-Eb) and attack with a heavy pick near the bridge — Fahnestock's tone lives in the aggressive pick attack cutting through dense distortion, not in fingerstyle warmth.

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These settings are for a Mark Bass CMB 150 Black Line. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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