Tone library / Slipknot / Left Behind

Left Behind amp settings — Boss Katana 50 MkII

The Slipknot guitar tone for “Left Behind”, dialed in for a Boss Katana 50 MkII with a Jackson JS32 Dinky. Studio version, Iowa (2001) — primary heavy rhythm track

Original rig

Rivera Knucklehead Reverb & Mesa Boogie Dual Rectifier, Ibanez RG custom / Fender custom with EMG 81, Maxon OD820 boost, tuned to Drop B

Crushing high-gain nu-metal crunch with tight low-end tracking and razor-sharp upper-mid bite
Amp settings — Boss Katana 50 MkII
CHANNELBrown amp typeBOOSToff
GAIN 7 BASS 6 MID 5 TREBLE 7 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain7
Bass6
Mid5
Treble7
Reverb0
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss SD-1 Super Overdrive

Clean boost in front of the amp to tighten low-end tracking for Drop B riffs

Level 10 · Tone 6 · Drive 0
Why these settings

The Boss Katana 50 MkII uses the Brown amp voicing to capture the high-gain aggression of the original Rivera/Mesa blend. Using the SD-1 as a clean boost (Drive at 0, Level maxed) cuts the flubby sub-bass before the preamp, providing the tight, percussive chug of the Iowa album without running double high-gain stages. Presence is set to null because the 50-watt Katana MkII faceplate does not physically feature a presence knob.

PRO TIPTune down to Drop B (B-F#-B-E-G#-C#) with heavy gauge strings and dig in with sharp, aggressive down-picking directly over the bridge pickup to get the percussive attack of the opening riff.

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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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