Left Behind amp settings — Boss Katana 50 MkII
The Slipknot guitar tone for “Left Behind”, dialed in for a Boss Katana 50 MkII with a Jackson JS32 Dinky. Studio version, Iowa (2001) — primary heavy rhythm track
Rivera Knucklehead Reverb & Mesa Boogie Dual Rectifier, Ibanez RG custom / Fender custom with EMG 81, Maxon OD820 boost, tuned to Drop B
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 5 |
| Treble | 7 |
| Reverb | 0 |
| Master | 5 |
01Boss SD-1 Super Overdrive
Clean boost in front of the amp to tighten low-end tracking for Drop B riffs
The Boss Katana 50 MkII uses the Brown amp voicing to capture the high-gain aggression of the original Rivera/Mesa blend. Using the SD-1 as a clean boost (Drive at 0, Level maxed) cuts the flubby sub-bass before the preamp, providing the tight, percussive chug of the Iowa album without running double high-gain stages. Presence is set to null because the 50-watt Katana MkII faceplate does not physically feature a presence knob.
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