Tone library / Sleep token / The summoning

The summoning amp settings — Neural dsp Quad cortex

The Sleep token guitar tone for “The summoning”, dialed in for a Neural dsp Quad cortex with a Cort Mbc1. Studio version, Take Me Back to Eden (2023) — main heavy riff sections

Original rig

Neural DSP Quad Cortex with Revv Generator 120 capture + Mesa Oversized 4x12 IR, Jackson Custom 8-string Monarkh with Fishman Fluence Modern pickups, Tube Screamer-style boost, ISP Decimator noise gate

Tight, aggressive modern djent-metal chug with scooped mids, percussive low-end attack, and controlled high-gain saturation
Amp settings — Neural dsp Quad cortex
CHANNELRevv Generator 120 (Purple/Red channel capture) or Archetype Gojira Hotrod amp blockBRIGHToffBOOSTon
GAIN 6 BASS 4 MID 6 TREBLE 7 PRESENCE 6 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain6
Bass4
Mid6
Treble7
Presence6
Reverb0
Master7
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Noise Gate (ISP Decimator model or QC native gate)

Place at input block — essential for tight djent chugs

Threshold 4 · Release 3

02Tube Screamer (TS808 or Precision Drive model)

Low gain, high level — tightens low-end before amp block, cuts mud

Drive 1 · Tone 6 · Level 7

03Cab Block (Mesa Oversized 4x12 IR)

Use SM57 + Royer 121 blend mic sim; position mic slightly off-axis

Low Cut 4 · High Cut 6 · Mix 10

04Doubler (QC native)

Subtle widening for studio thickness — IV uses this live

Detune 2 · Delay 2 · Mix 3
Why these settings

Your Cort MBC-1 has passive humbuckers vs IV's active Fishman Fluence pickups, so gain stays at 6 but push the TS boost level to 7 to compensate for lower output. Mid raised to 6 (from the baseline 6.5) because passive humbuckers are warmer — this keeps the attack defined. Roll tone knob to 8 to tame any harshness the Fluences would naturally compress.

PRO TIPIV picks extremely hard with a thick pick (2mm+) right over the bridge pickup pole pieces — this attack angle is critical for the percussive djent chunk. Palm mute lightly and let the gate do the work; don't choke the note, just kiss the strings.

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