Monster amp settings — Harley benton Thomann GmbH Hans-Thomann-Str.196138 Burgebrach
The Skillet guitar tone for “Monster”, dialed in for a Harley benton Thomann GmbH Hans-Thomann-Str.196138 Burgebrach with a Harley Benton QC PASS 02. Studio version, Awake (2009) — Ben Kasica on lead guitar
Mesa/Boogie Dual Rectifier (Red/Modern channel), Gibson Les Paul with high-output humbuckers, Tube Screamer-style boost, noise gate
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 4 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
01Tube Screamer-style Overdrive (e.g., Harley Benton Vintage Overdrive, Boss SD-1, Ibanez TS9)
RECOMMENDED — not currently owned. Used as a clean boost to tighten the low end and add pick attack definition. Drive at 0 means no additional clipping — the pedal just shapes the signal hitting the amp's preamp.
02Noise Gate (e.g., TC Electronic Sentry, Boss NS-2, Donner Noise Killer)
RECOMMENDED — not currently owned. Essential for tight palm-muted chugs at this gain level. Placed after the boost, before the amp input.
The Harley Benton amp is a budget solid-state unit with less natural compression and midrange complexity than a Dual Rectifier. Compensate by pushing gain +1 higher than the original (7 vs 6.5) to achieve similar saturation, and keep mids at 4 to replicate the Rectifier's naturally scooped character without losing definition. Without a Tube Screamer, your low end will be looser and less defined on palm mutes — if you can only buy one pedal, get the TS-style boost.
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These settings are for a Harley benton Thomann GmbH Hans-Thomann-Str.196138 Burgebrach. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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