Ada titik-titik di ujung doa amp settings — Laney Ah100
The Sal Priadi guitar tone for “Ada titik-titik di ujung doa”, dialed in for a Laney Ah100 with a Fender Player Stratocaster. Studio cut, MARKERS AND SUCH PENS FLASHDISKS (2024)
Warm clean electric guitar (tracked by Lafa Pratomo) through a clean tube preamp, light compression, and studio plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 5 |
| Treble | 4 |
| Reverb | 5 |
| Master | 5 |
01NUX 6ixty 5ive Overdrive
Used as a warm, Fender black-panel clean preamp to add tube warmth into the neutral Laney input
02MXR Analog Chorus
Very subtle movement to replicate subtle studio tracking width
03Boss DD-3 Digital Delay
Set to 200ms or 800ms mode with low repeats for gentle ambient depth
The Laney AH100 is a flat, full-range multi-instrument amplifier, so the NUX 6ixty 5ive is engaged at very low gain to supply the missing tube warmth and analog feel. Running a Stratocaster in the neck+middle position with tone rolled back to 7 smooths out single-coil attack to match the dark, intimate acoustic-electric hybrid character of the recording. Your remaining dirt pedals (Maxon OD808, Nux Tubeman, Joyo British) remain bypassed to keep the platform pristine.
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These settings are for a Laney Ah100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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