Tone library / Sal Priadi / Ada titik-titik di ujung doa

Ada titik-titik di ujung doa amp settings — Laney Ah100

The Sal Priadi guitar tone for “Ada titik-titik di ujung doa”, dialed in for a Laney Ah100 with a Fender Player Stratocaster. Studio cut, MARKERS AND SUCH PENS FLASHDISKS (2024)

Original rig

Warm clean electric guitar (tracked by Lafa Pratomo) through a clean tube preamp, light compression, and studio plate reverb

Warm, intimate, rounded clean with soft top-end roll-off and gentle ambient space
Amp settings — Laney Ah100
CHANNELChannel 1 (Line input)
GAIN 3 BASS 6 MID 5 TREBLE 4 REVERB 5 MASTER 5
KnobSetting (0–10)
Gain3
Bass6
Mid5
Treble4
Reverb5
Master5
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Guitar
PICKUPneck+middle TONE7 VOLUME9
Signal chain

01NUX 6ixty 5ive Overdrive

Used as a warm, Fender black-panel clean preamp to add tube warmth into the neutral Laney input

Gain 2 · Level 6 · Bass 6 · Treble 4

02MXR Analog Chorus

Very subtle movement to replicate subtle studio tracking width

Low 5 · High 4 · Intensity 2 · Rate 2 · Width 3

03Boss DD-3 Digital Delay

Set to 200ms or 800ms mode with low repeats for gentle ambient depth

E.Level 2 · F.Back 2 · D.Time 4 · Mode 2
Why these settings

The Laney AH100 is a flat, full-range multi-instrument amplifier, so the NUX 6ixty 5ive is engaged at very low gain to supply the missing tube warmth and analog feel. Running a Stratocaster in the neck+middle position with tone rolled back to 7 smooths out single-coil attack to match the dark, intimate acoustic-electric hybrid character of the recording. Your remaining dirt pedals (Maxon OD808, Nux Tubeman, Joyo British) remain bypassed to keep the platform pristine.

PRO TIPPluck lightly with the flesh of your thumb and fingers rather than a hard pick to soften the transient attack and capture Lafa Pratomo's delicate, vocal-accompanying dynamics.

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These settings are for a Laney Ah100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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