Tone library / Rage against the machines / Killing in the name

Killing in the name amp settings — Orange Crush 20

The Rage against the machines guitar tone for “Killing in the name”, dialed in for a Orange Crush 20 with a Lyxpro Lyxpro TLC30. Studio version, Rage Against the Machine (1992) — iconic drop-D main riff

Original rig

Fender Standard Telecaster (neck pickup, Drop D) into Marshall JCM800 2205 (50W split-channel head, Boost channel) into Peavey 4x12 with Celestion G12K-85 speakers; Ibanez DFL flanger on intro, DigiTech WH-1 Whammy (+2 octaves) on solo

Dry, punchy, mid-heavy Marshall crunch driven by single-coil bite with zero ambient reverb
Amp settings — Orange Crush 20
CHANNELDirty
GAIN 6 BASS 6 MID 8 TREBLE 6 REVERB 0 MASTER 4
KnobSetting (0–10)
Gain6
Bass6
Mid8
Treble6
Reverb0
Master4
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Guitar
PICKUPneck TONE10 VOLUME10
Signal chain

01DigiTech Whammy (WH-1 or Whammy V)

RECOMMENDED — not currently owned; set to +2 Octaves Up for the solo

Mode 10

02Flanger (Ibanez DFL or Boss BF-3)

RECOMMENDED — not currently owned; used exclusively on the intro riff

Manual 6 · Depth 7 · Rate 3 · Resonance 6
Why these settings

Morello's JCM800 runs with bass and mids pushed hard (pinned to 10 on his 2205 boost channel) and presence nearly zeroed, driven dry by a Telecaster neck single-coil. The Orange Crush 20 naturally has thick, dark low-mids, so bass is backed off to 6 to prevent the 8-inch speaker from farting out on the low D string while middle is pushed to 8 to mimic Marshall punch. Keep reverb at zero because the entire track is bone-dry. Intro flanger: kick off flanger when the heavy drop-D riff drops.

PRO TIPTune to Drop D (D-A-D-G-B-E) and stay locked on the neck single-coil; strictly palm-mute the low D between melodic stabs with firm right-hand downstrokes so the riff stays tight and staccato.

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