Killing in the name of amp settings — Line 6 Helix Floor
The Rage against the machines guitar tone for “Killing in the name of”, dialed in for a Line 6 Helix Floor with a Schecter Synyster Standard. Studio version, Rage Against the Machine (1992) — iconic drop-D rhythm riff
1982 Marshall JCM800 2205 (Boost channel), Peavey 4x12 cab with Celestion G12K-85s, 'Arm the Homeless' parts guitar (EMG neck single-space/humbucker) / Gibson Les Paul Standard (neck pickup on drop-D tracks), DOD FX40B EQ in loop
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 6 |
| Reverb | 1 |
| Master | 8 |
01Simple EQ block (FX loop)
Placed after the amp block to mirror Morello's DOD FX40B flat-boosted loop setup
02Pitch Whammy block
Set to +2 Octaves Up; leave bypassed for rhythm, engage with expression pedal for the solo
Morello tracked all drop-D songs on the debut album using a Gibson Les Paul set strictly to the neck pickup into his 2205 Boost channel. The Schecter Synyster Standard carries high-output bridge and neck humbuckers; selecting the neck pickup mimics his rounded, punchy low-frequency thump without turning muddy. Running the Helix Brit 2204 model at gain 7 with mids pushed to 7 provides the exact dry, percussive British bite of the original track. Solo switch: engage the Pitch Whammy block set +2 octaves and sweep the expression pedal.
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