Killing In the Name (Live In Mexico City, MX, 10/28/99) amp settings — Soundking AK20-RA
The Rage Against the Machine guitar tone for “Killing In the Name (Live In Mexico City, MX, 10/28/99)”, dialed in for a Soundking AK20-RA with a Kramer Striker 300 St. Live, The Battle of Mexico City (10/28/99) — rawer, more aggressive than 1992 studio version
Marshall JCM800 2205 50W (overdrive channel only), Fender Telecaster (Drop D) / 'Arm the Homeless' custom (EMG H/85), DigiTech Whammy WH-1, MXR Phase 90, 2x Boss DD-3, DOD FX40B EQ boost, Peavey 4x12 cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 3 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Overdrive/Boost Pedal (TS-style or EQ pedal)
RECOMMENDED — not currently owned. Morello uses a DOD FX40B EQ as a clean boost with slight mid push around 800Hz-1kHz. A Tube Screamer with low drive and high level approximates this. Essential for the tight, forward attack.
02DigiTech Whammy (WH-1 or current Whammy 5)
RECOMMENDED — not currently owned. Set to +2 octave (Whammy mode). Heel-down = dry, toe-down = 2 octaves up. THE defining effect for the solo's 'DJ scratch' sound. Non-negotiable for authenticity.
Your Soundking AK20-RA is a budget solid-state practice amp with limited headroom and a scooped, darker voicing compared to the JCM800's punchy mids. I pushed mid to 7 (vs Morello's flat 5) to compensate for the amp's mid-scoop, dropped bass to 3 to prevent mud (the JCM800 is naturally tighter), and set gain at 6 — higher than his ~5-6 because solid-state amps don't compress and saturate the same way. Your Kramer's humbuckers are hotter than his Tele single coils, so I rolled tone to 7 to avoid harshness. Without the boost pedal, you'll lack the tight attack — consider any cheap TS clone.
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These settings are for a Soundking AK20-RA. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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