Killing In the Name (Live In Mexico City, MX, 10/28/99) amp settings — Positive Grid Spark 40
The Rage Against the Machine guitar tone for “Killing In the Name (Live In Mexico City, MX, 10/28/99)”, dialed in for a Positive Grid Spark 40 with a Ibanez RG550. Live, Battle of Mexico City (October 28, 1999)
Marshall JCM800 2205 50W head (overdrive channel), Fender Telecaster (neck pickup for Whammy solo), DigiTech Whammy WH-1 (+2 octave mode), MXR Phase 90 (intro riff), DOD FX40B EQ (solo boost), Peavey 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 6 |
| Mid | 7 |
| Treble | 6 |
| Presence | 7 |
| Reverb | 0 |
| Master | 7 |
01DigiTech Whammy (built-in pitch shift block)
RECOMMENDED — enable +2 Octave mode in Spark app for solo; heel down = bypass, toe down = +2 octaves for turntable scratch effect
02MXR Phase 90 (built-in phaser block)
RECOMMENDED — enable ONLY for intro riff, bypass for main riff and solo
The RG550's humbuckers output hotter than Morello's Telecaster single coils, so gain is dropped 1 from the verified JCM800 setting (9 to 8) and treble is cut 1 (7 to 6) to prevent ice-pick high-end. Bass is cut 1 (7 to 6) because the Ibanez mahogany body is warmer than the Tele's ash. The Spark's JCM800 model is accurate to the original voicing. Switch to neck pickup ONLY during the Whammy solo for smoother pitch-shift tone.
Get this tone on your amp
These settings are for a Positive Grid Spark 40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.