Tone library / RADIOHEAD / Creep

Creep amp settings — Crate Gx-15

The RADIOHEAD guitar tone for “Creep”, dialed in for a Crate Gx-15 with a Fender MN562659. Studio version, Pablo Honey (1993)

Original rig

Fender Eighty Five amp (clean), Marshall Shredmaster pedal (distortion), Fender Telecaster Plus with Lace Sensor pickups

Pristine clean arpeggios for verses, massive crunchy distortion for choruses — the song's drama comes from this extreme dynamic contrast
Amp settings — Crate Gx-15
GAIN 3 BASS 5 MID 6 TREBLE 5 PRESENCE 0 REVERB 2 MASTER 6
KnobSetting (0–10)
Gain3
Bass5
Mid6
Treble5
Presence0
Reverb2
Master6
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Guitar
PICKUPneck TONE6 VOLUME9
Signal chain

01Marshall Shredmaster or Boss DS-1 (distortion)

RECOMMENDED — not currently owned. The Shredmaster is discontinued; a Boss DS-1 or ProCo RAT gets you 80% there. This pedal is ESSENTIAL for the chorus crunch — the Crate's onboard distortion lacks the thick, compressed saturation of the original.

Gain/Dist 7 · Tone 5 · Level 6
Why these settings

The Crate GX-15 is a solid-state practice amp with limited headroom and a harsher distortion character than the original Fender tube clean. I've set gain low (3) to keep the clean tone as pure as possible for verses. Mid pushed to 6 compensates for the Crate's naturally scooped voice versus the Fender's warmer mids. Without a distortion pedal, you cannot authentically recreate the chorus — the amp's built-in overdrive will sound fizzy and thin compared to the Shredmaster's thick crunch.

PRO TIPThe iconic 'chunk-chunk' noise before each chorus is Greenwood literally scraping and muting the strings with his pick while the Shredmaster is engaged — it's intentional chaos, not a chord. Practice that aggressive muted scrape on the low strings to nail the dynamic shift.

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These settings are for a Crate Gx-15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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