Tone library / Queen / Bohemian Rhapsody

Bohemian Rhapsody amp settings — Fender Mustang LT25

The Queen guitar tone for “Bohemian Rhapsody”, dialed in for a Fender Mustang LT25 with a Yamaha Pacifica 112V. Studio version, A Night at the Opera (1975) — Main Guitar Solo

Original rig

Red Special (Burns Tri-Sonic pickups in series out-of-phase) -> Dallas Rangemaster treble booster -> cranked Vox AC30

Mid-focused, singing, vocal lead tone with distinct upper-mid harmonic bite and smooth saturation
Amp settings — Fender Mustang LT25
CHANNELBritish 60s (Vox AC30 model) with onboard Overdrive blockBRIGHToffBOOSTon
GAIN 8 BASS 4 TREBLE 7 REVERB 2 MASTER 6
KnobSetting (0–10)
Gain8
Bass4
Treble7
Reverb2
Master6
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Guitar
PICKUPneck+middle TONE8 VOLUME10
Signal chain

01Onboard Overdrive / Boost Block (Mustang LT25)

Simulates the Dallas Rangemaster pushing the front end of the Vox model into saturated sustain

Drive 7 · Tone 8 · Level 7

02Dallas Rangemaster Clone (Treble Booster)

RECOMMENDED — not currently owned; adds the authentic germanium bite and upper-mid vocal cocked-wah resonance

Boost 8
Why these settings

The Mustang LT25 lacks physical mid and presence knobs on its faceplate, so mid emphasis is shaped via the onboard Vox 'British 60s' model combined with an internal treble-focused overdrive block to emulate Brian May's Dallas Rangemaster. Selecting the neck+middle single-coil positions on the Pacifica captures the out-of-phase, honky midrange texture of the Red Special. Rolling the guitar tone down slightly to 8 softens the bridge sizzle while preserving the singing, vocal sustain of the solo. Heavy rock outro section: switch to the bridge humbucker with tone on 10.

PRO TIPPick using an old sixpence or a hard coin edge near the bridge pickup to reproduce Brian May's signature metallic, chirpy string attack.

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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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