Wish You Were Here amp settings — Marshall MG30CFX
The Pink Floyd guitar tone for “Wish You Were Here”, dialed in for a Marshall MG30CFX with a Harley Benton SC-Custom II. Studio version, Wish You Were Here album (1975) — iconic acoustic-intro backing/clean lead riff
1970s Black Fender Stratocaster (bridge/middle) into Hiwatt DR103 Custom 100 Head, WEM 4x12 cabinet (Fane Crescendo speakers), Binson Echorec delay, subtle studio compression
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 7 |
| Reverb | 4 |
| Master | 5 |
The MG30CFX Clean channel stays completely headroom-clean like Gilmour's Hiwatt DR103. Because your Harley Benton SC-Custom II has humbuckers instead of Gilmour's Strat single coils, middle pickup position with treble boosted to 7 cuts the lower-mid thickness and restores the necessary top-end chime. Use the amp's onboard Studio Reverb at 4 (or a faint touch of onboard Delay) to mimic the room ambience and Binson Echorec space.
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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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