Sorrow amp settings — Rocktron R120dsp
The Pink floyd guitar tone for “Sorrow”, dialed in for a Rocktron R120dsp with a Sterling by Music Man JP60. Studio version, A Momentary Lapse of Reason (1987)
Steinberger GL with single-coil Strat pickups → Big Muff (intro) / Boss HM-2 + GE-7 (main) → Fender Concert amp / Gallien-Krueger 250ML + Fender Super Champ (split signal)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 3 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 7 |
| Master | 5 |
01Donner Arena 2000 — Big Muff / Fuzz voice
Select the Muff or Fuzz algorithm — this is your primary gain source. The HM-2 Gilmour used has a similar mid-scoop character. Amp stays clean.
02Donner Arena 2000 — Delay
Set delay time to approximately 500-540ms. Gilmour used long, atmospheric repeats. This is critical to the Sorrow sound.
03Donner Arena 2000 — Chorus (if available)
Gilmour used a Boss CE-2 on one side of his stereo rig. Subtle chorus adds width and shimmer. If your unit lacks chorus, skip this.
Your JP60 has hot humbuckers vs Gilmour's single-coil Steinberger — roll tone to 6 and use the neck pickup to tame the brightness and approximate that singing sustain. The Rocktron's gain stays at 2 because ALL drive comes from the Arena 2000's fuzz/muff setting; stacking amp gain would mud up the iconic open, sustaining tone. Mids scooped to 3 mimics the HM-2/Big Muff character.
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These settings are for a Rocktron R120dsp. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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