Tone library / Pink Floyd / Dogs

Dogs amp settings — Marshall MG15

The Pink Floyd guitar tone for “Dogs”, dialed in for a Marshall MG15 with a Patina ps-3. Studio version, Animals (1977)

Original rig

1959 Fender Telecaster Custom → Colorsound Power Boost → EHX Ram's Head Big Muff (Sustain 2:00, Tone 11:00) → EHX Electric Mistress → Hiwatt DR103 100W (Normal channel pushed) → WEM Super Starfinder 4x12

Singing, compressed fuzz with warm midrange, swirling flanger modulation, and spacious delay
Amp settings — Marshall MG15
CHANNELOverdrive (OD) channel
GAIN 6 BASS 4 MID 7 TREBLE 5 PRESENCE 0 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain6
Bass4
Mid7
Treble5
Presence0
Reverb0
Master5
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Guitar
PICKUPbridge TONE6 VOLUME10
Signal chain

01EHX Big Muff Pi (or clone)

RECOMMENDED — not currently owned. Essential for this tone. Budget options: EHX Big Muff (current production), Donner Dark Mouse, JOYO Voodoo Octave. Without this, the tone is unobtainable.

Sustain 7 · Tone 4 · Volume 6

02Flanger or Chorus

RECOMMENDED — not currently owned. EHX Electric Mistress, Boss BF-3, or budget Donner Jet Convolution. Adds the swirling character. Can skip for the 'dry' aggressive section at 5:34.

Rate 3 · Depth 5 · Manual/Range 4

03Delay

RECOMMENDED — not currently owned. Set to ~370ms. Boss DD-3, TC Electronic Flashback, or budget Donner Yellow Fall. Critical for the spacious lead sound.

Time 5 · Feedback 4 · Level 5
Why these settings

The MG15 is mid-forward like Marshalls but lacks the Hiwatt's clean headroom and articulation. I pushed mids to 7 to compensate for the Big Muff's mid-scoop, and kept treble at 5 to avoid the MG's tendency toward fizz. Without a Big Muff, this tone cannot be authentically achieved — the amp's overdrive alone will sound thin and buzzy rather than singing and compressed. The gain at 6 provides sustain but relies on a Muff for the actual fuzz character.

PRO TIPGilmour's right-hand attack is everything — use your pick's edge at a 45° angle near the neck pickup for the fluid, vocal quality, then dig in hard near the bridge for the aggressive 'dry section' at 5:34. Roll the guitar's tone knob down to 6 to tame the bridge pickup's ice-pick frequencies through the Marshall's bright voicing.

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