Dogs amp settings — Hiwatt Leeds 17
The Pink Floyd guitar tone for “Dogs”, dialed in for a Hiwatt Leeds 17 with a Eko Est.1959. Studio version, Animals (1977) — all guitars tuned down one step to DGCFAD
1959 Fender Telecaster Custom (bridge pickup) → EHX Ram's Head Big Muff → Colorsound Power Boost → EHX Electric Mistress → Hiwatt DR103 100W + WEM 4x12 + Yamaha RA-200 rotary speakers, 370ms delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 4 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 6 |
01Boss DS-1
Substituting for Big Muff — the DS-1 is brighter and tighter, so Tone rolled back to prevent ice-pick highs. Dist at 7 provides sustained singing quality without excessive fizz. This is a compromise; a RAT or actual Muff clone would get closer.
02Tone City Angel Wing (Chorus)
Approximating the Electric Mistress/Yamaha RA-200 swirl. Gilmour's Mistress was set slow with heavy color — keep rate low, depth moderate for that liquid movement without warble.
Your Leeds 17 is a lower-wattage Hiwatt-style circuit — you're already in the correct amp family, which is ideal. Gain stays low (3) because the DS-1 provides all the sustain; the amp's job is clean punch and articulation. Treble at 6 with bright switch on replicates the DR103's crystalline top-end. Tone knob on guitar rolled to 7 to tame the DS-1's inherent brightness compared to a Big Muff's woolier character.
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These settings are for a Hiwatt Leeds 17. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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