Confortably numb amp settings — Sonicake Ampcube
The Pink floyd guitar tone for “Confortably numb”, dialed in for a Sonicake Ampcube with a Fender John Mayer Stratocaster. Studio version, The Wall (1979) — second solo
Fender Black Strat (Seymour Duncan SSL-1 bridge) → Electro-Harmonix Big Muff (Ram's Head) → Hiwatt DR103 into Fane speakers, TC 2290 delay (~440ms), light chorus
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 2 |
| Master | 6 |
01Big Muff Pi (or clone) — RECOMMENDED, not currently owned
RECOMMENDED — essential for Gilmour's singing sustain; without this, the tone will lack the harmonic bloom and compression. EHX Big Muff Pi or Nano Big Muff are affordable options. Run into amp's cleanest setting if acquired.
02Digital Delay — RECOMMENDED, not currently owned
RECOMMENDED — set delay time to ~440ms (dotted eighth feel at ~120bpm). Boss DD-3 or TC Electronic Flashback are solid choices. Without delay, the solo loses its spacious, ethereal quality.
The Sonicake Ampcube is a practice/modeling unit with limited headroom and simplified EQ. I've pushed mids to 7 (vs typical Hiwatt ~5) because small digital amps tend toward scooped voicing. Gilmour's tone relies heavily on a Big Muff into a CLEAN amp—without the Big Muff, you'll need to use the amp's gain, which won't replicate the smooth fuzz sustain. The John Mayer Strat's Big Dipper pickups are slightly hotter than Gilmour's SSL-1s, so treble stays conservative at 5.
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These settings are for a Sonicake Ampcube. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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