Tone library / pink floyd / comfortsbly numb

comfortsbly numb amp settings — Fender Mustang LT25

The pink floyd guitar tone for “comfortsbly numb”, dialed in for a Fender Mustang LT25 with a Ibanez RGA42FM. Studio version, The Wall (1979) - Second / Outro Solo

Original rig

1969 'Black Strat' (bridge single-coil) into Electro-Harmonix 'Ram's Head' Big Muff Pi, Colorsound Power Boost, MXR Phase 90, Yamaha RA-200 rotary cabinet and Hiwatt DR103 heads with WEM 4x12 cabs

Singing, violin-like sustaining fuzz with smooth top end, subtle modulation, and spacious analog delay
Amp settings — Fender Mustang LT25
CHANNELFuzz Lead / Rock Lead model block with Vintage Stomp Fuzz engagedBRIGHToffBOOSTon
GAIN 7 BASS 6 MID 7 TREBLE 5 REVERB 4 MASTER 6
KnobSetting (0–10)
Gain7
Bass6
Mid7
Treble5
Reverb4
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Built-in Big Fuzz / Sustain (LT25 Stomp Slot)

Built-in onboard DSP effect block

Sustain 8 · Tone 5 · Level 7

02Built-in Digital Delay (LT25 Delay Slot)

Built-in onboard DSP effect block (set around 440ms)

Time 6 · Feedback 5 · Level 4

03Built-in Sine Chorus / Rotary (LT25 Mod Slot)

Built-in onboard DSP effect block to mimic the Yamaha RA-200 rotary speaker

Rate 3 · Depth 4 · Level 5
Why these settings

The Mustang LT25 relies on onboard modeling DSP, so we utilize its internal Big Muff style fuzz and delay models rather than external pedals. Because the Ibanez RGA42FM humbuckers are warmer and hotter than Gilmour's Strat single-coil, the guitar tone knob is pulled down to 8 and amp treble is kept moderate at 5 to avoid harshness while retaining violin-like sustain. Presence is set to null as the Mustang LT25 does not feature a physical presence control.

PRO TIPPick firmly near the bridge with wide, continuous finger vibrato to keep the notes blooming and sustaining seamlessly into the feedback threshold.

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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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