Comfortably numb amp settings — Valeton GP-100
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Valeton GP-100 with a Ibanez GIO GRG170DX. Studio version outro solo, The Wall (1979)
Fender 'Black Strat' (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Electric Mistress/Yamaha RA-200 rotary -> 100W Hiwatt DR103 / Alembic F-2B preamp -> WEM 4x12 Starfinder
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 5 |
| Treble | 5 |
| Presence | 6 |
| Reverb | 3 |
| Master | 7 |
01Comp Block (Dyna Comp / Red Comp)
Placed first to smooth pick attack and feed the fuzz
02Dist Block (Muff Fuzz / Big Muff model)
Primary dirt source — amp gain stays low to prevent mud
03Mod Block (Flanger / Rotary model)
Subtle movement mimicking the Yamaha RA-200 rotating cab
04Delay Block (Analog / Digital Delay)
Set to approx 450ms-480ms quarter/dotted note repeat
Gilmour used a clean, high-headroom Hiwatt DR103 as a pedal platform for the Ram's Head Big Muff, so the GP-100 amp gain must remain low at 2 with the Clean Hiwatt model. Because your Ibanez GRG170DX has hotter, warmer humbuckers compared to Gilmour's single-coil DiMarzio FS-1 Strat, the fuzz tone is rolled back slightly to 4 and guitar volume is full up to avoid muddy lows. The subtle flanger block replicates the Yamaha RA-200 rotating speaker mixed under the main studio track.
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These settings are for a Valeton GP-100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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