Tone library / ELEVATION RHYTHM & Gracie Binion / GOODBYE YESTERDAY

GOODBYE YESTERDAY amp settings — Valeton GP-100

The ELEVATION RHYTHM & Gracie Binion guitar tone for “GOODBYE YESTERDAY”, dialed in for a Valeton GP-100 with a Jcraft s1 Classic. Live recording from 'Victory Lap' album (2024) — worship team live tracking

Original rig

Likely Fender-style clean amp platform (based on Helix/Kemper patch references to 'FTR' Fender profiles) with overdrive pedal stacking, delay, and reverb. Guitar appears to be humbucker or Filter'Tron equipped based on preset variations.

Warm, compressed driven rhythm — mid-forward crunch with ambient wash, not high-gain but saturated enough for sustained chords
Amp settings — Valeton GP-100
CHANNELUS Deluxe or Fender Twin model — select the cleanest Fender-voiced amp model availableBRIGHToffBOOSToff
GAIN 3 BASS 5 MID 6 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain3
Bass5
Mid6
Treble5
Presence4
Reverb0
Master7
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Tube Screamer (TS808 or TS9 model block)

Primary gain source — use the GP-100's Tube Screamer model as a mid-boost into the clean amp

Drive 4 · Tone 5 · Level 7

02Klon Centaur (or Klone model block)

Optional stack for thicker rhythm sections — engage for chorus/bridge, bypass for verses

Gain 3 · Treble 5 · Output 6

03Digital Delay (Dual Delay or dotted-eighth model)

Set to dotted-eighth note at 150 BPM (~300ms) — place post-drive in signal chain

Time 6 · Feedback 3 · Mix 4

04Hall Reverb (or Plate Reverb model)

Medium hall for worship wash — keep mix moderate to maintain chord clarity

Decay 5 · Mix 4 · Tone 6
Why these settings

Your Jcraft S1 Classic has single coils, which are brighter and lower output than the humbucker/Filter'Tron guitars referenced in the Helix patches. Compensate by rolling tone knob to 7, pushing mid +1 on the amp, and using the TS model to add midrange warmth and compression. The GP-100's Fender models are naturally scooped — the stacked drives fill that mid gap. Keep amp gain low (3) since the overdrives are your saturation source.

PRO TIPFor authentic worship rhythm, use your palm to lightly mute during verse strumming and open up completely on the chorus — the dynamic shift is more important than the gain level. The dotted-eighth delay locks to the 150 BPM groove and creates that signature modern worship rhythmic pulse.

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