Comfortably Numb amp settings — Synergy 20-IR Bogner Überschall
The PINK FLOYD guitar tone for “Comfortably Numb”, dialed in for a Synergy 20-IR Bogner Überschall with a Schecter Sun Valley Super Shredder FR S. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 0 |
| Master | 6 |
01Electro-Harmonix Ram's Head Big Muff Pi
RECOMMENDED — not currently owned; essential for Gilmour's violin-like fuzz sustain
02EarthQuaker Devices Dispatch Master V3
FX loop — set delay to ~370ms dotted eighth/quarter blend
03Matthews Effects The Cosmonaut V2
FX loop — Luna mode for subtle modulation mimicking the Yamaha RA-200 rotating speaker
The Bogner Überschall module is fundamentally an aggressive, modern high-gain monster, so stay on Channel 1 completely clean as a Hiwatt-style platform. Gilmour's tone gets its massive mid-rich sustain from the Ram's Head Big Muff, so keep the Überschall mids pushed to 7 while shaving treble to 5 to tame your hot bridge humbucker. If playing today without the recommended Big Muff, use Channel 2 with Gain at 6, Bass at 4, and Treble rolled off to 4 for singing sustain.
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These settings are for a Synergy 20-IR Bogner Überschall. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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