Comfortably Numb amp settings — Squire SP-10
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Squire SP-10 with a Fender David Gilmour Stratocaster. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Treble | 4 |
| Master | 4 |
01EHX Big Muff Pi
Gain source — provides the massive sustain and scooped fuzz core
02Boss OD-3 OverDrive
Used after the Muff to warm up the mid frequencies and smooth out fizzy clipping like Gilmour's Cornish boost
03Rowin Analogue Flanger
Run direct into amp input — subtle modulation to mimic the Yamaha RA-200 rotary cabinet movement
04Behringer DD400
Run direct into amp input — set to approximately 370ms delay for sweeping Gilmour lead space
The Squier SP-10 has only volume, treble, and bass controls with no mid knob, so leave its overdrive switch off and keep gain low to act as a clean pedal platform for the Big Muff. Stacking the Boss OD-3 with low drive directly after the Big Muff adds essential midrange body and softens the harsh treble that small 6-inch solid-state practice speakers naturally produce. Rolling the Strat's bridge tone knob down slightly rounds off harsh transients to achieve that smooth, singing violin sustain.
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These settings are for a Squire SP-10. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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