Comfortably Numb amp settings — Squier Frontmant
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Squier Frontmant with a Squier Sonic. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Treble | 4 |
| Master | 5 |
01Electro-Harmonix Ram's Head Big Muff Pi
RECOMMENDED — not currently owned; with this pedal, switch amp to Clean channel and set amp gain to 2
02Digital / Analog Delay (e.g. Boss DD-3 / Carbon Copy)
RECOMMENDED — not currently owned (approx 375ms to 440ms delay)
Without external pedals, engage the Frontman's Drive channel with gain at 7 to provide the necessary sustain and clipping for the lead lines. Treble is pulled back to 4 to round off the solid-state harshness and mimic Gilmour's smooth, filtered fuzz curve through the Hiwatt. Rolling your guitar tone control back to 7 smooths the ceramic bridge pickup attack into a violin-like sustain.
Get this tone on your amp
These settings are for a Squier Frontmant. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.