Comfortably numb amp settings — Nux Mighty 40 MKII
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Nux Mighty 40 MKII with a Epiphone ES 339. Studio version, The Wall (1979) — second solo, the iconic one
1969 Fender Stratocaster (Black Strat) with DiMarzio FS-1 bridge pickup, Hiwatt DR103 100W heads (linked channels), Yamaha RA-200 rotating speakers, Electro-Harmonix Ram's Head Big Muff Pi, MXR Dyna Comp, MXR Digital Delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 5 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 2 |
| Master | 6 |
01Compressor (MG-30 — Rose Comp or Studio Comp block)
Emulates MXR Dyna Comp — provides front-end sustain and even dynamics
02Big Muff (MG-30 — US Muff or similar fuzz block)
This is the gain source — amp stays clean. Ram's Head Muff settings from original
03Chorus (MG-30 — CE-2 or Analog Chorus block)
Emulates the Yamaha rotating speaker's subtle swirl — slow rate, moderate depth
04Delay (MG-30 — Analog or Tape Delay block)
480ms delay, 2-3 repeats — sits behind the dry tone, adds depth without clutter
Your ES-339 humbuckers are warmer and hotter than Gilmour's single-coil FS-1, so I dropped the MG-30 Muff's sustain slightly and rolled treble back by 1 vs the original Hiwatt settings. The Nux Mighty 40's Optima channel emulates Hiwatt voicing — keep it clean and let the Muff do all the dirt work. Using both gain stages would mud out the tone.
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These settings are for a Nux Mighty 40 MKII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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