Comfortably Numb amp settings — Hotone Ampero
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Hotone Ampero with a squier Classic Vibe 60s Jazzmaster. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 7 |
01Comp Block (Dyna Comp model)
Evens out pick attack and increases natural sustain into the fuzz
02Drive Block (Ram's Head / Big Fuzz model)
Primary gain source; double-gain prevention keeps amp gain low
03Mod Block (Rotary Speaker model)
Emulates Gilmour's Yamaha RA-200 rotating speaker cabinet
04Delay Block (Analog / Tape Delay model)
Set to roughly 375ms (dotted eighth or quarter-note ambient wash)
The Jazzmaster's wide single-coil bridge pickup is naturally brighter and pricklier than Gilmour's overwound DiMarzio FS-1 Strat pickup, so the guitar tone knob is rolled back to 7 and fuzz Tone sits at 4 to remove piercing fizz. The Ampero's Hiwatt DR103 model is dialed as a loud, high-headroom clean platform with gain kept at 3 to prevent muddying the Ram's Head fuzz block. Mids are boosted to 7 to replicate the Hiwatt's punchy, forward midrange and help the solo cut cleanly.
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These settings are for a Hotone Ampero. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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