Tone library / Pink floyd / Comfortably numb

Comfortably numb amp settings — Fender Twin Reverb

The Pink floyd guitar tone for “Comfortably numb”, dialed in for a Fender Twin Reverb with a Fender American Professional II Stratocaster. Studio version outro solo, The Wall (1979)

Original rig

Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Smooth, singing violin-like fuzz sustain with slight rotary swirl and long ambient decay
Amp settings — Fender Twin Reverb
CHANNELVibrato ChannelBRIGHToff
GAIN 4 BASS 5 MID 7 TREBLE 5 REVERB 0 MASTER 4
KnobSetting (0–10)
Gain4
Bass5
Mid7
Treble5
Reverb0
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Electro-Harmonix 'Ram's Head' Big Muff Pi

RECOMMENDED — not currently owned; key gain source for Gilmour's violin sustain

Volume 7 · Tone 5 · Sustain 8

02MXR Dyna Comp

RECOMMENDED — not currently owned; smooths fuzz attack and extends sustain

Output 7 · Sensitivity 6

03Strymon BigSky

Plate or Hall engine for Gilmour's lush studio acoustics

Decay 6 · Pre-Delay 3 · Tone 5 · Mix 4
Why these settings

The Twin Reverb provides massive clean headroom similar to Gilmour's Hiwatt DR103, but its natural midrange scoop requires boosting the amp Mid to 7 and rolling off Treble to prevent harsh fuzz highs. Since the Twin does not overdrive on its own, adding a Ram's Head Big Muff clone is essential to achieve the singing, saturated sustain of the original record. When you add the Big Muff, keep the Twin's volume clean and let the pedal generate all the distortion.

PRO TIPRoll the Strat bridge tone knob down to 8 to tame the high-frequency pierce, and use wide, deliberate vibrato with the flesh of the finger pads to emulate Gilmour's vocal-like phrasing.

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