Comfortably numb amp settings — Fender Twin Reverb
The Pink floyd guitar tone for “Comfortably numb”, dialed in for a Fender Twin Reverb with a Fender American Professional II Stratocaster. Studio version outro solo, The Wall (1979)
Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Reverb | 0 |
| Master | 4 |
01Electro-Harmonix 'Ram's Head' Big Muff Pi
RECOMMENDED — not currently owned; key gain source for Gilmour's violin sustain
02MXR Dyna Comp
RECOMMENDED — not currently owned; smooths fuzz attack and extends sustain
03Strymon BigSky
Plate or Hall engine for Gilmour's lush studio acoustics
The Twin Reverb provides massive clean headroom similar to Gilmour's Hiwatt DR103, but its natural midrange scoop requires boosting the amp Mid to 7 and rolling off Treble to prevent harsh fuzz highs. Since the Twin does not overdrive on its own, adding a Ram's Head Big Muff clone is essential to achieve the singing, saturated sustain of the original record. When you add the Big Muff, keep the Twin's volume clean and let the pedal generate all the distortion.
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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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