Comfortably Numb amp settings — Fender Twin Reverb
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Fender Twin Reverb with a Squier Affinity Telecaster. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 4 |
| Reverb | 4 |
| Master | 5 |
01Electro-Harmonix Ram's Head Big Muff Pi
RECOMMENDED — not currently owned
02Digital Delay
RECOMMENDED — not currently owned (set to ~380ms quarter-note delay)
The Fender Twin Reverb is an ultra-clean platform without an onboard high-gain channel, so push the Volume/Gain knob up to 7 to introduce power tube compression while keeping the Bright switch firmly off. Dial mids up to 7 to counter the Twin's native scoop and tame treble down to 4 to round off the Telecaster's sharp bridge single-coil bite. Because Gilmour's signature sustain requires high-gain fuzz clipping, an EHX Ram's Head Big Muff is essential; once acquired, run into the Twin's clean input at volume 3.
Get this tone on your amp
These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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