Comfortably numb amp settings — Fender FRFR 12 TONEMASTER
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Fender FRFR 12 TONEMASTER with a Fender Vintera 60s Stratocaster. Studio version, The Wall (1979) — second solo
Modified Hiwatt DR103 100W (linked Normal + Brilliant channels), 1969 Fender Stratocaster with DiMarzio FS-1 bridge pickup, MXR Dyna Comp, Electro-Harmonix Big Muff Pi, Yamaha RA-200 rotating speaker for subtle modulation
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 4 |
| Treble | 5 |
| Presence | 6 |
| Reverb | 0 |
| Master | 6 |
01Compressor (Dyna Comp style)
Keeps signal hot and even before the fuzz; essential for Gilmour's consistent attack
02Big Muff Pi (or Muff-style fuzz)
This is the primary gain source — amp stays clean to preserve note definition; Headrush Prime has Big Muff models, use the NYC or Triangle variant
03Chorus (CE-2 style or Rotary sim)
Subtle — mimics the Yamaha RA-200 rotating speaker; place after dirt
04Delay (analog or tape style)
Set around 440ms; adds depth and sustain to the lead lines — single repeats, not runaway feedback
Your Vintera 60s Strat has vintage-output single coils vs Gilmour's hotter FS-1, so push the compressor sensitivity +1 and Big Muff sustain +1 to compensate for lower output. The Tone Master FRFR is neutral — select a clean Hiwatt or Bassman model in Headrush Prime for headroom and let the Muff do all the gain work. Amp gain stays at 3 to avoid double-saturation with the fuzz.
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These settings are for a Fender FRFR 12 TONEMASTER. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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