Comfortably numb amp settings — Core Id
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Core Id with a Cort Sc200. Studio version, The Wall (1979) — second solo (most iconic)
1969 Fender Stratocaster (DiMarzio FS-1 bridge, stock Fender neck/middle pickups) → MXR Dyna Comp → Electro-Harmonix Big Muff Pi (Ram's Head era) → Hiwatt DR103 100W (linked Normal/Brilliant channels, gain near-clean) + Yamaha RA-200 rotary speaker for modulation
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Reverb | 2 |
| Master | 6 |
01Compressor (MXR Dyna Comp style)
RECOMMENDED — not currently owned. Placed before the Big Muff for front-end signal strength and sustain bloom.
02Electro-Harmonix Big Muff Pi (or clone)
RECOMMENDED — not currently owned. This is essential; Gilmour's sustain comes from the Big Muff, not amp gain. A Behringer SF300 or EHX Green Russian reissue works.
Gilmour's Hiwatt ran near-clean (gain ~3) with the Big Muff providing all saturation. Your ID:Core lacks a fuzz circuit, so OD1 at moderate gain (5) approximates the sustain character but cannot replicate Big Muff compression — a Big Muff pedal is essential for authenticity. ISF at noon (5) balances British warmth without excessive scoop. Rolled tone knob to 8 softens the Cort's bridge pickup brightness to match the FS-1's warmer output.
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These settings are for a Core Id. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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